Overview
- Conceptualises the use of sound in theatre and presents it as a key performance tool
- Explores a range of practitioners whose work pushes the boundaries of auditory theatre
- Engages with a wealth of theories and philosophies in the field, relating to perception, listening, sonority and vocality
- Includes supplementary material: sn.pub/extras
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Table of contents (6 chapters)
Keywords
About this book
Reviews
Authors and Affiliations
About the author
Lynne Kendrick is Senior Lecturer in New Theatre Practices at the Royal Central School of Speech and Drama, University of London, UK. Her publications include: ‘Aural visions: sonic spectatorship in the dark’ in Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre (2017), ‘Auralite´ et performance de l’inaudible’ in Le Son du Théātre (2016); ‘Aurality, Gestus and the Performance of Noise’ in Sound und Performance (2015), and Theatre Noise: the Sound of Performance, co-edited with David Roesner CSP (2011).
Bibliographic Information
Book Title: Theatre Aurality
Authors: Lynne Kendrick
DOI: https://doi.org/10.1057/978-1-137-45233-7
Publisher: Palgrave Macmillan London
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2017
Hardcover ISBN: 978-1-137-45232-0Published: 16 January 2018
eBook ISBN: 978-1-137-45233-7Published: 11 November 2017
Edition Number: 1
Number of Pages: XXVIII, 164
Number of Illustrations: 6 b/w illustrations
Topics: Theatre and Performance Studies