Overview
- Analyzes contemporary Shakespearean reenactments
- Considers the ways in which new media technology affects styles of Shakespearean stage and filmic production
- Bridges gaps between Shakespeare in performance scholarship, performance studies scholarship, and global Shakespeare
Part of the book series: Reproducing Shakespeare (RESH)
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Table of contents (9 chapters)
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Introduction
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Ghosts of History
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Ghosts of the Machine
Reviews
“Cartelli’s deeply informed and wide-ranging exploration of recent experimental Shakespeare is the finest book I know on the subject. The fruits of decades of engaged theatergoing, Reenacting Shakespeare in the Shakespeare Aftermath is rich in insight, and will prove no less valuable to contemporary critics and theater practitioners than it will to future generations hoping to grasp what this avant-garde Shakespeare meant to ours.” (James Shapiro, Columbia University, USA, and author of The Year of Lear (2015)
Authors and Affiliations
About the author
Thomas Cartelli is Professor of English & Film Studies at Muhlenberg College, USA. He is author of Marlowe, Shakespeare, and the Economy of Theatrical Experience (1991), Repositioning Shakespeare (1999), and co-author (with Katherine Rowe) of New Wave Shakespeare on Screen (2007). He has also edited The Norton Critical Richard III (2009).
Bibliographic Information
Book Title: Reenacting Shakespeare in the Shakespeare Aftermath
Book Subtitle: The Intermedial Turn and Turn to Embodiment
Authors: Thomas Cartelli
Series Title: Reproducing Shakespeare
DOI: https://doi.org/10.1057/978-1-137-40482-4
Publisher: Palgrave Macmillan New York
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2019
Hardcover ISBN: 978-1-137-40481-7Published: 31 January 2019
eBook ISBN: 978-1-137-40482-4Published: 11 March 2019
Series ISSN: 2730-9304
Series E-ISSN: 2730-9312
Edition Number: 1
Number of Pages: XVII, 343
Number of Illustrations: 1 b/w illustrations, 26 illustrations in colour
Topics: Shakespeare, Drama, Theatre and Performance Studies