‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication

  • Eoin Price

Part of the Early Modern Literature in History book series (EMLH)

Table of contents

  1. Front Matter
    Pages i-x
  2. Eoin Price
    Pages 1-11
  3. Back Matter
    Pages 75-95

About this book

Introduction

At the start of the seventeenth century a distinction emerged between 'public', outdoor, amphitheatre playhouses and 'private', indoor, hall venues. This book is the first sustained attempt to ask: why? Theatre historians have long acknowledged these terms, but have failed to attest to their variety and complexity. Assessing a range of evidence, from the start of the Elizabethan period to the beginning of the Restoration, the book overturns received scholarly wisdom to reach new insights into the politics of theatre culture and playbook publication. Standard accounts of the 'public' and 'private' theatres have either ignored the terms, or offered insubstantial explanations for their use. This book opens up the rich range of meanings made available by these vitally important terms and offers a fresh perspective on the way dramatists, theatre owners, booksellers, and legislators, conceived the playhouses of Renaissance London.

Keywords

Public Private Renaissance Early Modern Theatre History Book History Politics drama England history of literature history of theatre theatre

Authors and affiliations

  • Eoin Price
    • 1
  1. 1.Swansea UniversityUK

Bibliographic information

  • DOI https://doi.org/10.1057/9781137494924
  • Copyright Information Eoin Price 2015
  • Publisher Name Palgrave Pivot, London
  • eBook Packages Palgrave Literature Collection
  • Print ISBN 978-1-137-49491-7
  • Online ISBN 978-1-137-49492-4
  • About this book