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The Economics of the Popular Music Industry

  • Chong Hyun Christie Byun

Table of contents

  1. Front Matter
    Pages i-viii
  2. Chong Hyun Christie Byun
    Pages 1-17
  3. Chong Hyun Christie Byun
    Pages 18-67
  4. Chong Hyun Christie Byun
    Pages 68-107
  5. Chong Hyun Christie Byun
    Pages 108-113
  6. Back Matter
    Pages 114-128

About this book

Introduction

This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields.

Keywords

Economics Microeconomics Industrial Organization Music Industry Music piracy Streaming economic theory economics industrial organization Microeconomic Theory microeconomics modeling organization organizations technology

Authors and affiliations

  • Chong Hyun Christie Byun
    • 1
  1. 1.Wabash CollegeUSA

Bibliographic information

  • DOI https://doi.org/10.1057/9781137467058
  • Copyright Information The Editor(s) (if applicable) and The Author(s) 2016
  • Publisher Name Palgrave Pivot, New York
  • eBook Packages Economics and Finance
  • Print ISBN 978-1-349-69162-3
  • Online ISBN 978-1-137-46705-8
  • Buy this book on publisher's site