About this book
Introduction
A cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.
Keywords
post-cinematic performance intermedial performance performance and technology archaeology bibliography cinema ethics expectation film Hamlet knowledge landscapes media Orient perception project theatre time
Authors and affiliations
- 1.University of AberystwythUK
Bibliographic information