Italian Women Filmmakers and the Gendered Screen

  • Editors
  • Maristella Cantini

Part of the Italian and Italian American Studies book series (IIAS)

Table of contents

  1. Front Matter
    Pages i-xxiv
  2. Introduction

    1. Maristella Cantini
      Pages 1-11
  3. Part I

    1. Front Matter
      Pages 13-13
    2. Chiara Ricci
      Pages 15-32
    3. Claudia Consolati
      Pages 33-52
    4. Lidia Hwa Soon Anchisi Hopkins, Luke Cuculis
      Pages 53-71
    5. Gaetana Marrone
      Pages 73-88
    6. Laura Di Bianco
      Pages 121-147
    7. Cristina Gamberi
      Pages 149-171
    8. Fabiana Cecchini
      Pages 173-193
    9. Maristella Cantini
      Pages 209-228
  4. Part II

    1. Front Matter
      Pages 229-229
    2. Cristina Gamberi
      Pages 231-235
    3. Laura Di Bianco
      Pages 237-245
    4. Laura Di Bianco
      Pages 247-252
    5. Laura Di Bianco
      Pages 253-261
    6. Giovanna Summerfield
      Pages 263-272

About this book

Introduction

Featuring essays by top scholars and interviews with acclaimed directors, this book examines Italian women's authorship in film and their visions of reality. The contributors use feminist film criticism in the analysis of their works and give direct voices to the artists who are constantly excluded by the conventional Italian film criticism.

Keywords

cinema film gender women

Bibliographic information

  • DOI https://doi.org/10.1057/9781137336514
  • Copyright Information Palgrave Macmillan, a division of Nature America Inc. 2013
  • Publisher Name Palgrave Macmillan, New York
  • eBook Packages Palgrave Media & Culture Collection
  • Print ISBN 978-1-349-46352-7
  • Online ISBN 978-1-137-33651-4
  • About this book