Moving across the boundaries of mainstream and experimental circuits, from the affective pleasures of commercially successful shows such as Calendar Girls and Mamma Mia! to the feminist possibilities of new burlesque and stand-up, this book offers a lucid and accessible account of popular feminisms in contemporary theatre and performance.
Keywords
Feminism and performance Contemporary Performance Affect experiment family feminism girls theatre Utopia women work
Bibliographic information
DOIhttps://doi.org/10.1057/9781137300140
Copyright InformationPalgrave Macmillan, a division of Macmillan Publishers Limited 2013