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Identity, Performance and Technology

Practices of Empowerment, Embodiment and Technicity

  • Editors
  • Susan Broadhurst
  • Josephine Machon

Part of the Palgrave Studies in Performance and Technology book series (PSPT)

Table of contents

  1. Front Matter
    Pages i-xxi
  2. Introduction

    1. Susan Broadhurst, Josephine Machon
      Pages 1-4
  3. Identities — New Epistemologies and Ontologies

  4. (Ex)Posing Identity — Embodied Art Practices

    1. Front Matter
      Pages 75-75
    2. Ghislaine Boddington
      Pages 77-90
    3. Susan Broadhurst
      Pages 91-110
  5. Empowerment/Disempowerment in Digital Performance

  6. Blurring the Boundaries: The Delimited Self

    1. Front Matter
      Pages 193-193
    2. Helen Paris
      Pages 195-207
    3. Charlie Gere
      Pages 208-219
  7. Back Matter
    Pages 232-234

About this book

Introduction

This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice.

Keywords

access corpus culture identity music performance project recording subject

Bibliographic information