Transposing Broadway

Jews, Assimilation, and the American Musical

  • Authors
  • Stuart J. Hecht

Part of the Palgrave Studies in Theatre and Performance History book series (PSTPH)

Table of contents

  1. Front Matter
    Pages i-vii
  2. Stuart J. Hecht
    Pages 41-59
  3. Stuart J. Hecht
    Pages 61-102
  4. Stuart J. Hecht
    Pages 103-129
  5. Stuart J. Hecht
    Pages 179-200
  6. Stuart J. Hecht
    Pages 201-204
  7. Back Matter
    Pages 205-240

About this book


Over the last hundred years, musical theatre artists - from Berlin to Rodgers and Hammerstein to Sondheim - have developed a form that corresponds directly to the Americanization of the increasingly Jewish New York audience; and that audience's aspirations and concerns have played out in the shows themselves. Musicals thus became a paradigm which instructed newcomers in how to assimilate while correspondingly envisioning "American Dream" America as democratic and inclusive. Broadway musicals still continue to function today as "cultural Ellis Islands" for fringe populations seeking acceptance into the nation's mainstream - including women, blacks, Latinos, and gays - all essentially modeled upon the Jewish example. Stuart J. Hecht offers a fascinatingexamination of the relationship between Jews, assimilation, and the changing face of the American musical. 


20th century America assimilation drama Judaism music twentieth century

Bibliographic information