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Musical Women in England, 1870–1914

Encroaching on All Man’s Privileges

  • Authors
  • Paula Gillett

Table of contents

  1. Front Matter
    Pages i-ix
  2. Paula Gillett
    Pages 77-108
  3. Paula Gillett
    Pages 109-140
  4. Paula Gillett
    Pages 141-187
  5. Paula Gillett
    Pages 189-227
  6. Back Matter
    Pages 228-310

About this book

Introduction

Musical Women in England, 1870-1914 delineates the roles women played in the flourishing music world of late-Victorian and early twentieth-century England, and shows how contemporary challenges to restrictive gender roles inspired women to move into new areas of musical expression, both in composition and performance. The most famous women musicians were the internationally renowned stars of opera; greatly admired despite their violations of the prescribed Victorian linkage of female music-making with domesticity, the divas were often compared to the sirens of antiquity, their irresistible voices a source of moral danger to their male admirers. Their ambiguous social reception notwithstanding, the extraordinary ability and striking self-confidence of these women - and of pioneering female soloists on the violin, long an instrument permitted only to men - inspired fiction writers to feature musician heroines and motivated unprecedented numbers of girls and women to pursue advanced musical study. Finding professional orchestras almost fully closed to them, many female graduates of English conservatories performed in small ensembles and in all-female and amateur orchestras, and sought to earn their living in the overcrowed world of music teaching.

Keywords

England gender Privileg women

Bibliographic information

  • DOI https://doi.org/10.1057/9780312299347
  • Copyright Information Palgrave Macmillan, a division of Nature America Inc. 2000
  • Publisher Name Palgrave Macmillan, New York
  • eBook Packages Palgrave History Collection
  • Print ISBN 978-1-349-38511-9
  • Online ISBN 978-0-312-29934-7
  • Buy this book on publisher's site