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The Theatres of Morocco, Algeria and Tunisia

Performance Traditions of the Maghreb

  • Khalid Amine
  • Marvin Carlson

Part of the Studies in International Performance book series (STUDINPERF)

Table of contents

  1. Front Matter
    Pages i-ix
  2. Introduction

    1. Khalid Amine, Marvin Carlson
      Pages 1-5
  3. The Pre-Colonial Maghreb

    1. Front Matter
      Pages 7-7
    2. Khalid Amine, Marvin Carlson
      Pages 9-15
    3. Khalid Amine, Marvin Carlson
      Pages 16-27
    4. Khalid Amine, Marvin Carlson
      Pages 28-37
    5. Khalid Amine, Marvin Carlson
      Pages 38-43
    6. Khalid Amine, Marvin Carlson
      Pages 44-53
  4. Colonial Theatre in the Maghreb

    1. Front Matter
      Pages 55-55
    2. Khalid Amine, Marvin Carlson
      Pages 57-70
    3. Khalid Amine, Marvin Carlson
      Pages 71-81
    4. Khalid Amine, Marvin Carlson
      Pages 82-93
    5. Khalid Amine, Marvin Carlson
      Pages 94-101
    6. Khalid Amine, Marvin Carlson
      Pages 102-112
    7. Khalid Amine, Marvin Carlson
      Pages 113-128
  5. Post-Colonial Theatre in the Maghreb

    1. Front Matter
      Pages 129-129
    2. Khalid Amine, Marvin Carlson
      Pages 131-149
    3. Khalid Amine, Marvin Carlson
      Pages 150-175
    4. Khalid Amine, Marvin Carlson
      Pages 176-216
    5. Khalid Amine, Marvin Carlson
      Pages 217-221
  6. Back Matter
    Pages 222-262

About this book

Introduction

Modern international studies of world theatre and drama have begun to acknowledge the Arab world only after the contributions of Asia, Africa and Latin America. Within the Arab world, the contributions of Algeria, Tunisia, and Morocco to modern drama and to post-colonial expression remain especially neglected, a problem that this book addresses.

Keywords

drama Europe stage theatre

Authors and affiliations

  • Khalid Amine
    • 1
  • Marvin Carlson
    • 2
  1. 1.Abdelmalek Essaadi UniversityMorocco
  2. 2.The Graduate CenterCity University of New YorkUSA

Bibliographic information