About this book
Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influential films that offer more familiar treatments of female subjectivity: Klute (1971), The Seven Year Itch (1955) and Marnie (1964). Considering each of the older, celebrated films alongside the recent, unconventional works illustrates how contemporary filmmaking techniques and critical practices can work together to create provocative depictions of on-screen female consciousness.
Bolton's approach demonstrates how the encounter between the philosophy of Luce Irigaray and cinema can yield a fuller understanding of the fundamental relationship between film and philosophy. Furthermore, the book explores the implications of this approach for filmmakers and spectators, and suggests Irigarayan models of authorship and spectatorship that reinvigorate the notion of women's cinema.
- DOI https://doi.org/10.1057/9780230308695
- Copyright Information Palgrave Macmillan, a division of Macmillan Publishers Limited 2011
- Publisher Name Palgrave Macmillan, London
- eBook Packages Palgrave Media & Culture Collection
- Print ISBN 978-1-349-32501-6
- Online ISBN 978-0-230-30869-5
- Buy this book on publisher's site