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Queer Voices

Technologies, Vocalities, and the Musical Flaw

  • Authors
  • Freya Jarman-Ivens

Table of contents

  1. Front Matter
    Pages i-xv
  2. Freya Jarman-Ivens
    Pages 1-23
  3. Freya Jarman-Ivens
    Pages 25-57
  4. Freya Jarman-Ivens
    Pages 59-93
  5. Freya Jarman-Ivens
    Pages 127-160
  6. Freya Jarman-Ivens
    Pages 161-163
  7. Back Matter
    Pages 165-192

About this book

Introduction

This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud's unheimlich), and that this may invite or guard against identification by the listener.

Keywords

argue Freud identification music play thinking voice

Bibliographic information