This text analyzes the cultural work of spectacular suffering in contemporary discourse and late-medieval France, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.
Keywords
art concept Conceptual art death discourse drama France Medieval Literature Middle Ages performance play torture
Bibliographic information
DOIhttps://doi.org/10.1057/9780230111486
Copyright InformationPalgrave Macmillan, a division of Nature America Inc. 2010