About this book
In this book, Jo Scott shares writing and documentation from her practice as research (PaR) project, which explored and analysed a mode of performance she developed, called live intermediality. The book offers a much-needed example of fully developed writing in relation to a practice as research (PaR) project. Weaving together theory, documentation and critical reflection, it offers fresh insights into both the process and presentation of PaR work, as well as theories around intermediality in performance, the role and actions of the live media performer and how live media events are created. It can be read alongside Robin Nelson’s 2013 text, Practice as Research in the Arts, as it demonstrates how Nelson’s model for PaR can be applied and developed. It also includes a set of online videos and commentaries, which complement and reflect on the writing in the core text.
Joanne Scott is a live media practitioner-researcher and lecturer in performance at the University of Salford, UK. Her research explores the creation, activation and experience of live media events. This is her first book and arises from her doctoral research in live intermediality, at the Royal Central School of Speech and Drama, University of London, UK.
contemporary performance live performance Practice as Research live intermediality performance and new technologies digital technologies Robin Nelson theatrical philosophy Town auto-play media theatre and performance studies
- DOI https://doi.org/10.1057/978-1-137-60234-3
- Copyright Information The Editor(s) (if applicable) and The Author(s) 2016
- Publisher Name Palgrave Macmillan, London
- eBook Packages Literature, Cultural and Media Studies Literature, Cultural and Media Studies (R0)
- Print ISBN 978-1-137-60233-6
- Online ISBN 978-1-137-60234-3
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