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The Visual Divide between Islam and the West

Image Perception within Cross-Cultural Contexts

  • Hatem N. Akil

Table of contents

  1. Front Matter
    Pages i-xviii
  2. Hatem N. Akil
    Pages 1-8
  3. Hatem N. Akil
    Pages 9-43
  4. Hatem N. Akil
    Pages 45-55
  5. Hatem N. Akil
    Pages 57-86
  6. Hatem N. Akil
    Pages 87-117
  7. Hatem N. Akil
    Pages 119-138
  8. Hatem N. Akil
    Pages 139-192
  9. Back Matter
    Pages 193-232

About this book

Introduction

This book considers the ways in which Muslims view the way they are being viewed, not viewed, or incorrectly viewed, by the West. The book underscores a certain “will-to-visibility” whereby Muslims/ Arabs wish just to be “seen” and to be marked as fellow human beings.  The author relates the failure to achieve this visibility to a state of desperation that inextricably and symmetrically ties visibility to violence. When Syrian and Palestinian refugees recently started refusing to be photographed, they clearly ushered the eventual but inevitable collapse of the image and its final futility. The photograph has been completely emptied of its last remaining possibility of signification.

The book attempts to engage with questions about the ways in which images are perceived within cross cultural contexts. Why and how do people from different cultural backgrounds view the same image in opposing ways; why do cartoon, photographs, and videos become both the cause and target of bloody political violence – as witnessed recently by the deadly attacks against Charlie Hebdo in France and in the swift military response by the US, Jordan, France, and others to videotaped violence by ISIS.

Keywords

arts cinema culture death film and television history Islam media media studies Middle East Middle Eastern culture perception social science Islam Islamophobia ISIS Syrian refugees Charlie Hebdo cinematic terrorism Arab Spring

Authors and affiliations

  • Hatem N. Akil
    • 1
  1. 1.Seminole State College of FloridaSanfordUSA

Bibliographic information