Opera House Acoustics Based on Subjective Preference Theory

  • Yoichi¬†Ando

Part of the Mathematics for Industry book series (MFI, volume 12)

About this book


This book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology, and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system.

It is reconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre, and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise.


Blending Vision and Sound Blending Vocal on the Stage with Music in the Pit Model of Signal Processing in Central Auditory System Opera House Acoustics Opera House Design Preference Theory

Authors and affiliations

  • Yoichi¬†Ando
    • 1
  1. 1.Kobe UniversityKobeJapan

Bibliographic information

  • DOI https://doi.org/10.1007/978-4-431-55423-3
  • Copyright Information Springer Japan 2015
  • Publisher Name Springer, Tokyo
  • eBook Packages Engineering
  • Print ISBN 978-4-431-55422-6
  • Online ISBN 978-4-431-55423-3
  • Series Print ISSN 2198-350X
  • Series Online ISSN 2198-3518
  • About this book