Movement in Renaissance Literature

This book investigates how writers and readers of Renaissance literature deployed ‘kinesic intelligence’, a combination of pre-reflective bodily response and reflective interpretation. Through analyses of authors including Petrarch, Rabelais, and Shakespeare, the book explores how embodied cognition, historical context, and literary style interact to generate and shape responses to texts. It suggests that what was reborn in the Renaissance was partly a critical sense of the capacities and complexities of bodily movement. The linguistic ingenuity of humanism set bodies in motion in complex and paradoxical ways. Writers engaged anew with the embodied grounding of language, prompting readers to deploy sensorimotor attunement. Actors shaped their bodies according to kinesic intelligence molded by theatrical experience and skill, provoking audiences to respond to their most subtle movements. An approach grounded in kinesic intelligence enables us to re-examine metaphor, rhetoric, ethics, gender, and violence. The book will appeal to scholars and students of English, French, and Italian Renaissance literature and to researchers in the cognitive humanities, cognitive sciences, and theatre studies. 

• Kinesic intelligence
• embodied cognition and Renaissance Literature
• "To His Coy Mistress"
• Montaigne's Essais I.26
• reflective and pre-reflective cognition
• Scève’s Délie
• Cognition in Early Modern French Literature
• neroscience and lexicography
• early modern warfare and kinesics
• Jacques Duval’s Traité des hermaphrodits
• kinesics of early modern erotic writing
• handshakes in Shakespeare's Titus Andronicus
• bodily confinement and Shakespeare's Macbeth
• Sensorimotor response in Shakesepare's plays
• kinesics of early modern actors
• illocutionary and performative language
• second-person neuroscience
• predictive processing
• effect of the Gunpowder Revolution on Literature
• Virgil’s Georgics

• Durham University, Durham, United Kingdom

  Kathryn Banks

• Cambridge University, Cambridge, United Kingdom

  Timothy Chesters

Kathryn Banks is Associate Professor of French at Durham University, UK. She is the author of Cosmos and Image in the Renaissance (2008) and has published essays on Rabelais, sixteenth-century poets, apocalyptic writing, Chrétien de Troyes, and cognitive approaches to literature. She was awarded a Philip Leverhulme Prize in 2013. 

Timothy Chesters is University Lecturer in Sixteenth-Century French Studies and a Fellow of Clare College, Cambridge, UK. He is the author of Ghost Stories in Late Renaissance France: Walking by Night (2011). He has also published on Rabelais, Ronsard, Montaigne, and Flaubert, and on cognitive approaches to literature.