Hermeneutics of the Film World

A Ricœurian Method for Film Interpretation

  • Alberto Baracco

Table of contents

  1. Front Matter
    Pages i-xxvii
  2. Definition of the Method

    1. Front Matter
      Pages 1-1
    2. Alberto Baracco
      Pages 3-36
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      Pages 37-63
    4. Alberto Baracco
      Pages 65-83
    5. Alberto Baracco
      Pages 85-103
    6. Alberto Baracco
      Pages 105-137
  3. Application of the Method

    1. Front Matter
      Pages 139-139
    2. Alberto Baracco
      Pages 141-148
    3. Alberto Baracco
      Pages 149-200
    4. Alberto Baracco
      Pages 257-302
  4. Back Matter
    Pages 303-321

About this book

Introduction

This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy.  Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty’s and Ricœur’s philosophies, and reconsidering Goodman’s theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics. 

Keywords

FaP film world Merleau-Ponty Amélie Eyes Wide Shut

Authors and affiliations

  • Alberto Baracco
    • 1
  1. 1.University of TurinTorinoItaly

Bibliographic information

  • DOI https://doi.org/10.1007/978-3-319-65400-3
  • Copyright Information The Editor(s) (if applicable) and The Author(s) 2017
  • Publisher Name Palgrave Macmillan, Cham
  • eBook Packages Religion and Philosophy
  • Print ISBN 978-3-319-65399-0
  • Online ISBN 978-3-319-65400-3
  • About this book