Authors:
First book on domestic violence in Hollywood film
Exposes the insufficiency of post-feminist and post-aware perspectives on domestic abuse
Engages productive ways of thinking about and responding to the ideological gaslighting of representations of domestic abuse
Includes supplementary material: sn.pub/extras
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Table of contents (7 chapters)
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Front Matter
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Back Matter
About this book
This is the first book to critically examine Hollywood films that focus on male partner violence against women. These films include Gaslight, Sleeping with the Enemy, What’s Love Got to Do with It, Dolores Claiborne, Enough, and Safe Haven. Shaped by the contexts of postfeminism, domestic abuse post-awareness, and familiar genre conventions, these films engage in ideological “gaslighting” that reaffirms our preconceived ideas about men as abusers, women as victims, and the racial and class politics of domestic violence. While the films purport to condemn abuse and empower abused women, this study proposes that they tacitly reinforce the very attitudes that we believe we no longer tolerate. Shoos argues that films like these limit not only popular understanding but also social and institutional interventions.
Keywords
- psychological abuse
- Intimate partner violence
- Violence against women
- Coercive control
- Victim/survivor
- gender race and class
- domestic violence
- gender, sexuality and law
- violence and crime
Reviews
“Diane Shoos unspools recent films about domestic violence to help us understand how they perpetuate harmful stereotypes of the heroic victim and the monstrous abuser. These depictions are doubly erroneous: they ignore the everyday agency of abused women while misleading us about the utter normalcy of abusers. With Shoos’ excellent book, we learn how viewers are educated against understanding real possibilities for change.” (Carol J. Adams, Author of The Sexual Politics of Meat, 1990, 2015)
“Domestic Violence in Hollywood Film: Gaslighting offers a thorough critique of renditions of domestic abuse in American film. An adept analysis of the recurring tropes, characterizations, assumptions, evasions, and ideological stakes of abuse scenarios and their effects on female protagonists, the study also shows that the ways cinema presents domestic violence are often not distinct from the psychological and emotional processes of abuse itself.” (Judith Roof, William Shakespeare Chair in English, Rice University, USA. Author of What Gender Is, What Gender Does ,2016)
Authors and Affiliations
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Department of Humanities, Michigan Technological University, Houghton, USA
Diane L. Shoos
About the author
Diane L. Shoos is Associate Professor of Visual Studies in the Humanities Department at Michigan Technological University, USA, where she teaches and publishes on film, feminism, and visual media. She was a member of the Board of Directors of the Barbara Kettle Gundlach Shelter for 18 years.
Bibliographic Information
Book Title: Domestic Violence in Hollywood Film
Book Subtitle: Gaslighting
Authors: Diane L. Shoos
DOI: https://doi.org/10.1007/978-3-319-65064-7
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2017
Hardcover ISBN: 978-3-319-65063-0Published: 11 January 2018
Softcover ISBN: 978-3-319-87941-3Published: 06 June 2019
eBook ISBN: 978-3-319-65064-7Published: 19 December 2017
Edition Number: 1
Number of Pages: XI, 175
Number of Illustrations: 1 b/w illustrations, 5 illustrations in colour
Topics: Gender Studies, Socio-Legal Studies, Feminism and Feminist Theory, American Film and TV, Criminal Behavior