Skip to main content
Palgrave Macmillan

Defining Waka Musically

Songs of Male Love in Premodern Japan

  • Book
  • © 2023

Overview

  • Argues that sound and musicality are central to the Waka poetic form

  • Studies male love and musical desire in premodern Japan

  • Models methods of studying historical sounds that were neither notated nor recorded

This is a preview of subscription content, log in via an institution to check access.

Access this book

eBook USD 44.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book USD 59.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (5 chapters)

Keywords

About this book

This book considers how music, musicality, and ideologies of musicality are working within the specific construction of waka on the theme of male love in Kitamura Kigin’s Iwatsutsuji (1676) and Ihara Saikaku’s Nanshoku ōkagami (1687) by using a modified generative theory of music. This modified theory seeks to get at the interdependent meanings that may exist among the music, image, and the text of the waka in question. In all, this study guides the reader through five waka on the theme of male love and demonstrates not only how each waka is inherently musical but how the image and text may interdependently relate to the ways in which premodern Japanese song poets may not only have thought in and with sound but may have also utilized a diverse array of musical gestures to construct new objects of knowledge. In the case of this study, these new objects of knowledge seem to have aided in situating a changing musicopoetics that aligned with changing constructions of male desire. 

Reviews

“Ethnomusicologist Christopher Hepburn conducts an unprecedented aural-musical analysis of /waka/ to reveal the changing manners and mores of /male love/ from antiquity to the premodern era of Japan. A pathbreaking exploration of the musicopoetics of classical Japanese sound art, /Defining Waka Musically/ not only underscores the profound historicity of gender and sexuality, but moreover makes a powerful case for expanding our understanding of premodern Japan through a rigorous new blend of musical, historical, literary, and sociolinguistic approaches.” (Ann Marie Davis, The Ohio State University)

Authors and Affiliations

  • Department of History, University of Southern California, Los Angeles, USA

    Christopher Hepburn

About the author

Christopher Hepburn, PhD, FRSA, is a musicologist, writer, educator, and critic. He is a Postdoctoral Scholar and Teaching Fellow in the Van Hunnick Department of History and the East Asian and Music Libraries at the University of Southern California.

Bibliographic Information

  • Book Title: Defining Waka Musically

  • Book Subtitle: Songs of Male Love in Premodern Japan

  • Authors: Christopher Hepburn

  • DOI: https://doi.org/10.1007/978-3-031-36716-8

  • Publisher: Palgrave Macmillan Cham

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2023

  • Hardcover ISBN: 978-3-031-36715-1Published: 31 August 2023

  • eBook ISBN: 978-3-031-36716-8Published: 30 August 2023

  • Edition Number: 1

  • Number of Pages: XXIII, 100

  • Number of Illustrations: 12 b/w illustrations

  • Topics: Music, History of Japan, Asian Literature

Publish with us