Plague Image and Imagination from Medieval to Modern Times

1. Front Matter

   Pages i-xix

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2. Introduction: Imaging and Imagining Plague

   • Christos Lynteris

   Pages 1-9

3. Why Is Black Death Black? European Gothic Imaginaries of ‘Oriental’ Plague

   • Nükhet Varlık

   Pages 11-35

4. Painting the Plague, 1250–1630

   • Sheila Barker

   Pages 37-67

5. Pesthouse Imaginaries

   • Ann G. Carmichael

   Pages 69-110

6. Picturing Plague: Photography, Pestilence and Cremation in Late Nineteenth- and Early Twentieth-Century India

   • David Arnold

   Pages 111-139

7. Reflexive Gaze and Constructed Meanings: Photographs of Plague Hospitals in Colonial Bombay

   • Abhijit Sarkar

   Pages 141-189

8. Plague in India: Contagion, Quarantine, and the Transmission of Scientific Knowledge

   • Samuel Cohn Jr.

   Pages 191-203

9. Bamboo Dwellers: Plague, Photography, and the House in Colonial Java

   • Maurits Bastiaan Meerwijk

   Pages 205-234

10. Making a Model Plague: Paper Technologies and Epidemiological Casuistry in the Early Twentieth Century

    • Lukas Engelmann

    Pages 235-266

11. Ethnographic Images of the Plague: Outbreak and the Landscape of Memory in Madagascar

    • Genese Marie Sodikoff, Z. R. Dieudonné Rasolonomenjanahary

    Pages 267-288

12. Back Matter

    Pages 289-298

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This edited collection brings together new research by world-leading historians and anthropologists to examine the interaction between images of plague in different temporal and spatial contexts, and the imagination of the disease from the Middle Ages to today. The chapters in this book illuminate to what extent the image of plague has not simply reflected, but also impacted the way in which the disease is experienced in different historical periods. The book asks what is the contribution of the entanglement between epidemic image and imagination to the persistence of plague as a category of human suffering across so many centuries, in spite of profound shifts in our medical understanding of the disease. What is it that makes plague such a visually charismatic subject? And why is the medical, religious and lay imagination of plague so consistently determined by the visual register? In answering these questions, this volume takes the study of plague images beyond its usual, art-historical framework, so as to examine them and their relation to the imagination of plague from medical, historical, visual anthropological, and postcolonial perspectives.

• Disease
• Pandemic
• Bubonic Plague
• Anthropology
• Medieval history
• Photography
• Aesthetics
• Infectious disease
• Epidemic
• Medical history
• History of plague
• early modern history
• colonialism
• Medical anthropology
• Visual anthropology
• Public health
• European history
• Asian history
• Australian history

“This book offers an original, multidisciplinary approach to the global history of pandemics, focusing on the making and circulation of visual images. It will interest specialists in medical humanities, visual studies, history of disease, history and theory of photography, visual anthropology, science and technology studies, and medical sociology.”

- Jennifer Tucker, Associate Professor of History, Wesleyan University, USA

• Department of Social Anthropology, University of St Andrews, St Andrews, UK

  Christos Lynteris

Christos Lynteris is a social anthropologist working on the anthropological and historical examination of epidemics, zoonosis, and epidemiological epistemology. He is Professor of Medical Anthropology at the University of St Andrews, UK, currently leading a Wellcome-funded project on The Global War Against the Rat and the Epistemic Emergence of Zoonosis. He was Principal Investigator of the ERC funded research project Visual Representations of the Third Plague Pandemic (University of Cambridge, 2013-17, University of St Andrews 2017-2018).