Overview
Examines the changing responsibilities of contemporary cinematography practitioners, suggesting that notions of co-creativity and aesthetic leadership can help the role to maintain relevance in an era of rapidly changing technologies
Outlines lighting in moving image practices through a relational, new-materialist perspective which foregrounds the flow and energy of light as a generative force and a cultural and creative process
Investigates the relationship between a cinematographer and their equipment by applying the actor-network framework to the consideration of moving image, and explicitly lighting technologies
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Table of contents (4 chapters)
Keywords
About this book
Authors and Affiliations
About the author
Alexander Nevill is a cinematographer, filmmaker and Assistant Professor in the School of Cinema at San Francisco State University, USA.
Bibliographic Information
Book Title: Towards a Philosophy of Cinematography
Authors: Alexander Nevill
DOI: https://doi.org/10.1007/978-3-030-65935-6
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
Hardcover ISBN: 978-3-030-65934-9Published: 02 June 2021
Softcover ISBN: 978-3-030-65937-0Published: 03 June 2022
eBook ISBN: 978-3-030-65935-6Published: 01 June 2021
Edition Number: 1
Number of Pages: XI, 90
Topics: Film and TV Production