Editors:
Analyzes a range of musical genres that is varied and global while demonstrating the links between even seemingly disparate traditions
Includes analyses of lyrics, extra-verbal elements, image, video, and popular music culture
Addresses how male and female artists alike perform under the specter of toxic masculinity in post-2000s popular music
Part of the book series: Palgrave Studies in (Re)Presenting Gender (PSRG)
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Table of contents (15 chapters)
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Front Matter
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Back Matter
About this book
This book presents chapters that have been brought together to consider the multitude of ways that post-2000 popular music impacts on our cultures and experiences. The focus is on misogyny, toxic masculinity, and heteronormativity. The authors of the chapters consider these three concepts in a wide range of popular music styles and genres; they analyse and evaluate how the concepts are maintained and normalized, challenged, and rejected. The interconnected nature of these concepts is also woven throughout the book. The book also seeks to expand the idea of popular music as understood by many in the West to include popular music genres from outside western Europe and North America that are often ignored (for example, Bollywood and Italian hip hop), and to bring in music genres that are inarguably popular, but also sit under other labels such as rap, metal, and punk.
Keywords
- misogyny and popular music
- toxic masculinity and popular music
- heteronormativity and popular music
- popular music studies
- post-2000 popular music
- Contemporary Metal Music
- Justin Timberlake
- Queer Music
- Contemporary Pop Music
- Nicki Minaj
- gender and sexuality
Editors and Affiliations
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Faculty of Arts, University of Winchester, Winchester, UK
Glenn Fosbraey, Nicola Puckey
About the editors
Glenn Fosbraey is the Head of English, Creative Writing, and American Studies at The University of Winchester, UK, and specialises in the academic study of song lyrics. He has published a number of chapters and articles on the subject and co-wrote Writing Song Lyrics: Creative and Critical Approaches (2019).
Nicola Puckey is a Senior Lecturer in English Language, English Linguistics, and Forensic Linguistics at The University of Winchester, UK. Her specialisms include language, gender and sexuality, and music as a form of discourse.
Bibliographic Information
Book Title: Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music
Editors: Glenn Fosbraey, Nicola Puckey
Series Title: Palgrave Studies in (Re)Presenting Gender
DOI: https://doi.org/10.1007/978-3-030-65189-3
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
Hardcover ISBN: 978-3-030-65188-6Published: 17 March 2021
Softcover ISBN: 978-3-030-65191-6Published: 18 March 2022
eBook ISBN: 978-3-030-65189-3Published: 16 March 2021
Series ISSN: 2662-9364
Series E-ISSN: 2662-9372
Edition Number: 1
Number of Pages: XIII, 291
Number of Illustrations: 4 b/w illustrations
Topics: Gender Studies, Music, Popular Culture, Celebrity Studies, Sociocultural Anthropology