Beyond Media Borders, Volume 1

1. Front Matter

   Pages i-xxxi

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2. The Model

   1. Front Matter

      Pages 1-1

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   2. The Modalities of Media II: An Expanded Model for Understanding Intermedial Relations

      • Lars Elleström

      Pages 3-91Open Access

3. Media Integration

   1. Front Matter

      Pages 93-93

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   2. A Recalibration of Theatre’s Hypermediality

      • Mark Crossley

      Pages 95-112Open Access

   3. Multimodal Acting and Performing

      • Andy Lavender

      Pages 113-140Open Access

   4. Electronic Screens in Film Diegesis: Modality Modes and Qualifying Aspects of a Formation Enhanced by the Post-digital Era

      • Andrea Virginás

      Pages 141-173Open Access

   5. Truthfulness and Affect via Digital Mediation in Audiovisual Storytelling

      • Chiao-I Tseng

      Pages 175-195Open Access

   6. Reading Audiobooks

      • Iben Have, Birgitte Stougaard Pedersen

      Pages 197-216Open Access

   7. Language in Digital Motion: From ABCs to Intermediality and Why This Matters for Language Learning

      • Heather Lotherington

      Pages 217-238Open Access

4. Back Matter

   Pages 239-246

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This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate and clarify how the concepts developed in Elleström’s influential article The Modalities of Media: A Model for Understanding Intermedial Relations (Palgrave Macmillan, 2010) can be used for methodical investigation and interpretation of media traits and media interrelations. The authors work with a wide range of old and new media types that are traditionally investigated through limited, media-specific concepts. The publication is a significant contribution to interdisciplinary research, advancing the frontiers of conceptual as well as practical understanding of media interrelations. This is the first of two volumes. It contains Elleström’s revised article and six other contributions focusing especially on media integration: how media products and media types are combined and merged in various ways.

• Intermediality
• Transmediality
• Multimodality
• Semiotics
• Media modalities
• Transmediation
• Hypermediality
• open access

“Solid, reliable, and still, exciting. What more would we wish from in-depth academic work? This collective, collaborative work is based on a deep understanding of what scholarly work should be: an act of communication between producers and perceivers, as the view presented here would have it; one that makes its readers feel involved. This is the only way they can learn something new.” (Mieke Bal, Video Artist, Curator, and Cultural Theorist at Amsterdam School of Cultural Analysis, Netherlands)

“What are the most illuminating ways to talk about the relations among different media? This endlessly stimulating collection asks this question of media as different as theatrical acting and staging, digital storytelling, audiobooks, architecture, and ecocriticism. The results confirm Lars Elleström’s status as the leading theorist of intermedial studies, and the one most likely to provoke other colleagues to equally provocative explorations.” (Thomas Leitch, Professor of English, University of Delaware, USA)

• Department of Film and Literature, Linnaeus University, Växjö, Sweden

  Lars Elleström

Lars Elleström is Professor of Comparative Literature at Linnæus University, Sweden. He presides over the Linnaeus University Centre for Intermedial and Multimodal Studies and chairs the board of the International Society for Intermedial Studies. His recent publications have explored and developed basic semiotic, multimodal and intermedial concepts aiming at a theoretical model for understanding and analysing interrelations among dissimilar media.