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Palgrave Macmillan

Masculinity in the Work of Elizabeth Gaskell

  • Book
  • © 2020

Overview

  • Addresses a void in Gaskell scholarship, as well as the significance of masculinity to Victorian literature more generally
  • Reveals that Gaskell views masculinity not as monolithic but rather as relational and shaped by many contexts, from regional identity and historic change to intertextuality and sympathy
  • Demonstrates how Gaskell defies an essentialist approach to masculinity

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Table of contents (8 chapters)

Keywords

About this book

This book is the first full-length study to focus on the representation of masculinity in Elizabeth Gaskell’s novels. In examining Gaskell’s understanding of masculine identity as a social construct and considering how her writing engages with Victorian ideologies of gender, this book demonstrates that Gaskell defies an essentialist approach to gender and instead explores masculinity over time, genre, region, and class, making it clear that masculinity is not monolithic but relational, culturally constructed, and dependent on many contexts. It analyses Gaskell’s depiction of what it means to be a ‘man’ and a ‘gentleman’, exploring Mary Barton, North and South, Ruth, Cousin Phillis, Sylvia’s Lovers, and Wives and Daughters, as well as contemporary Victorian works and key contexts such as sympathy, historic change, and industrialism. The target audiences are academics, as well as undergraduate and postgraduate students and research specialists, and it will most appeal toVictorian Literature, Gender Studies, and Masculinity Studies disciplines.  

Authors and Affiliations

  • St Andrews, UK

    Meghan Lowe

About the author

Meghan Lowe is a Research Specialist at Internet Corporation for Assigned Names and Numbers (ICANN), a global not-for-profit organization. She earned a PhD for her doctoral research on Elizabeth Gaskell from the University of St Andrews, UK, where she also taught on nineteenth-century British and comparative literature modules.

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