Overview
- Contributes to international performance studies by introducing readers to new and unfamiliar works
- Dialogues with theatre and performance studies, philosophy and critical theory
- Makes a timely contribution, given the current international socio-political and cultural context
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Table of contents (8 chapters)
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Encounters in Language
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Encounters in Body
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Encounters in Time, Space, and History
Keywords
About this book
Reviews
“Meerzon makes a remarkable contribution to theatre and performance studies, which inspires further research on the relationship among cosmopolitanism, theatre, and performance. … Meerzon’s book is one of a few monographs that lead the way for scholars of theatre and performance studies to explore performance’s potential and limits to challenge nations’ inhuman migration laws and practices from a cosmopolitan perspective.” (Hanife Schulte, Contemporary Theatre Review, September 17, 2021)
Authors and Affiliations
About the author
Bibliographic Information
Book Title: Performance, Subjectivity, Cosmopolitanism
Authors: Yana Meerzon
DOI: https://doi.org/10.1007/978-3-030-41410-8
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2020
Hardcover ISBN: 978-3-030-41409-2Published: 08 August 2020
Softcover ISBN: 978-3-030-41412-2Published: 09 August 2021
eBook ISBN: 978-3-030-41410-8Published: 07 August 2020
Edition Number: 1
Number of Pages: X, 290
Number of Illustrations: 2 b/w illustrations
Topics: Contemporary Theatre, Global/International Theatre and Performance, Performing Arts