Modern Jeweler’s Consumer Guide to Colored Gemstones

  • Authors
  • David Federman

Table of contents

  1. Front Matter
    Pages 3-9
  2. David Federman
    Pages 10-12
  3. David Federman
    Pages 14-17
  4. David Federman
    Pages 18-21
  5. David Federman
    Pages 22-25
  6. David Federman
    Pages 26-29
  7. David Federman
    Pages 30-33
  8. David Federman
    Pages 34-37
  9. David Federman
    Pages 38-41
  10. David Federman
    Pages 42-45
  11. David Federman
    Pages 46-49
  12. David Federman
    Pages 50-53
  13. David Federman
    Pages 54-57
  14. David Federman
    Pages 58-61
  15. David Federman
    Pages 62-65
  16. David Federman
    Pages 66-69
  17. David Federman
    Pages 70-73
  18. David Federman
    Pages 74-77
  19. David Federman
    Pages 78-81
  20. David Federman
    Pages 82-85

About this book

Introduction

Since early 1989, a gem dealer I've known for years has been calling me every few weeks to brief me on mounting mayhem in Colombia's lucrative emerald market. The troubling gist of these calls is always this: There is a full-fledged turf war going on between that South American country's bustling drug and gem trades for control of its emerald ex­ port business. According to this dealer and several others, anywhere from two to four thousand emerald industry people, mostly miners and deal­ ers, have been murdered since 1980. No doubt the gem sector, itself never gun shy, has retaliated in full and in kind. After all, the two groups have banded together in an intermittent alliance against a common enemy-Communist guerillas-with results the CIA would envy. I mention this bloodshed because of something the gem dealer once said to me: "I bet you never think of what a gem has to go through to get to a jewelry store:' He's right. I tend to think of colored stones as things of beauty, not objects of gruesome power struggles between mining kingpins and drug lords. Can you blame me, or anyone with insider knowledge, if a gem sheds any connection with its past once sculpted by a cutter into the glittering mar­ vel we see in a jeweler's showcase? Like Odysseus listening to the sirens' song, we become victims of an aesthetics-induced amnesia.

Keywords

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Bibliographic information

  • DOI https://doi.org/10.1007/978-1-4684-6488-7
  • Copyright Information Springer-Verlag US 1990
  • Publisher Name Springer, Boston, MA
  • eBook Packages Springer Book Archive
  • Print ISBN 978-1-4684-6490-0
  • Online ISBN 978-1-4684-6488-7
  • About this book