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Palgrave Macmillan

Handel

Tercentenary Collection

  • Book
  • © 1987

Overview

Editors:
  1. Stanley Sadie
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  2. Anthony Hicks
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    You can also search for this editor in PubMed   Google Scholar

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Table of contents (16 chapters)

  1. Front Matter

    Pages i-xi
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  2. Research

    1. Scholarship and the Handel Revival, 1935–85

      • Winton Dean
      Pages 1-18

    2. Sources, Resources and Handel Studies

      • Donald Burrows
      Pages 19-42

  3. Sources and Influences

    1. Handel and his Central German Background

      • Bernd Baselt
      Pages 43-60

    2. The Case for Handel’s Borrowings: The Judgment of Three Centuries

      • George J. Buelow
      Pages 61-82

    3. Why did Handel Borrow?

      • John H. Roberts
      Pages 83-92

  4. The Dramatic Music and its Background

    1. The Staging of Handel’s Operas in London

      • Lowell Lindgren
      Pages 93-119

    2. English Traditions in Handel’s Rinaldo

      • Curtis Price
      Pages 120-137

    3. The Royal Academy of Music (1719–28) and its Directors

      • Elizabeth Gibson
      Pages 138-164

    4. Handel’s Disengagement from the Italian Opera

      • Carole Taylor
      Pages 165-181

    5. New Sources for the Libretto of Handel’s Joseph

      • Duncan Chisholm
      Pages 182-208

  7. Back Matter

    Pages 291-308
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Keywords

Bibliographic Information

  • Book Title: Handel

  • Book Subtitle: Tercentenary Collection

  • Editors: Stanley Sadie, Anthony Hicks

  • DOI: https://doi.org/10.1007/978-1-349-09139-3

  • Publisher: Palgrave Macmillan London

  • eBook Packages: Palgrave Literature & Performing Arts Collection, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Royal Musical Association 1987

  • Softcover ISBN: 978-1-349-09141-6Published: 01 January 1987

  • eBook ISBN: 978-1-349-09139-3Published: 08 March 1988

  • Edition Number: 1

  • Number of Pages: XI, 308

  • Topics: Music

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