Memory & Oblivion

Proceedings of the XXIXth International Congress of the History of Art held in Amsterdam, 1–7 September 1996

  • Wessel Reinink
  • Jeroen Stumpel

Table of contents

  1. Front Matter
    Pages i-xiv
  2. Plenary Lectures

  3. The Memory of the Art Historian

  4. Collecting and Recollecting

    1. Front Matter
      Pages 149-149

About this book

Introduction

Memory is a subject that recently has attracted many scholars and readers not only in the general historical sciences, but also in the special field of art history. However, in this book, in which more than 130 papers given at the XXIXth International Congress of the History of Art (Amsterdam) 1996 have been compiled, Memory is also juxtaposed to its counterpart, Oblivion, thus generating extra excitement in the exchange of ideas. The papers are presented in eleven sections, each of which is devoted to a different aspect of memory and oblivion, ranging from purely material aspects of preservation, to social phenomena with regard to art collecting, from the memory of the art historian to workshop practices, from art in antiquity, to the newest media, from Buddhist iconography to the Berlin Wall. The book addresses readers in the field of history, history of art and psychology.

Keywords

Memoria art collecting commemoration history of Art media memory oblivion

Editors and affiliations

  • Wessel Reinink
    • 1
  • Jeroen Stumpel
    • 1
  1. 1.Utrecht UniversityThe Netherlands

Bibliographic information

  • DOI https://doi.org/10.1007/978-94-011-4006-5
  • Copyright Information Kluwer Academic Publishers 1999
  • Publisher Name Springer, Dordrecht
  • eBook Packages Springer Book Archive
  • Print ISBN 978-94-010-5771-4
  • Online ISBN 978-94-011-4006-5
  • About this book