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Popular Music Studies Today

Proceedings of the International Association for the Study of Popular Music 2017

  • Julia Merrill

Part of the Systematische Musikwissenschaft book series (SYMU)

Table of contents

  1. Front Matter
    Pages I-IX
  2. Pedro Cesar Pires
    Pages 53-60
  3. Maurizio Corbella
    Pages 67-74
  4. Beatriz Medeiros, Natalia Dias
    Pages 85-95
  5. Stan Erraught
    Pages 97-101
  6. Peter Hinrichs, Oleg Pronitschew
    Pages 149-158
  7. Taylor Myers
    Pages 235-241
  8. Hendrik Neubauer, Tobias Marx
    Pages 243-252

About this book

Introduction

This volume documents the 19th edition of the biannual "International Association for the Study of Popular Music". In focus of the conference were present and future developments. For example, the diminishing income potential for musicians as well as the recording industry as a whole, concurrent with the decreasing relevance of popular music in youth culture. This is where computer games and social media come to the forefront. At the same time, the research of popular music has emancipated itself from its initial outsider.
Contents
  • Researching Popular Music
  • Analyzing Popular Music
  • Teaching and Learning Popular Music
  • Remapping Popular Music
  • Narrating Popular Music
  • Technology and Popular Music
Target Groups
  • Students and scholars in Popular Music Studies and related disciplines
  • Musicians, music industry representatives, cultural entrepreneurs 
About the Editor
Julia Merrill, is a research associate at the Institute of Music at the University of Kassel and at the Max Planck Institute for Empirical Aesthetics in Frankfurt/Main. Her research focus is on music and speech cognition and emotion as well as the acceptance of vocal sounds in song and speech.

Keywords

Popular Music Studies Analysis Technology Globalization History Pedagogy

Editors and affiliations

  • Julia Merrill
    • 1
  1. 1.KasselGermany

Bibliographic information