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Computer Music Modeling and Retrieval. Sense of Sounds

4th International Symposium, CMMR 2007, Copenhagen, Denmark, August 2007, Revised Papers

  • Conference proceedings
  • © 2008

Overview

Editors:
  1. Richard Kronland-Martinet
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  2. Sølvi Ystad
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  3. Kristoffer Jensen
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Part of the book series: Lecture Notes in Computer Science (LNCS, volume 4969)

Part of the book sub series: Information Systems and Applications, incl. Internet/Web, and HCI (LNISA)

Included in the following conference series:

Conference proceedings info: CMMR 2007.

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Table of contents (33 papers)

  1. Front Matter

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  2. Towards the Understanding of Sense of Sounds

    1. I-i Perceptual and Cognitive Aspects of Music

      1. Fifty Years of Computer Music: Ideas of the Past Speak to the Future
        • John Chowning
        Pages 1-10
      2. Music Cognition: Learning, Perception, Expectations
        • Barbara Tillmann
        Pages 11-33
      3. Capturing Expressive and Indicative Qualities of Conducting Gesture: An Application of Temporal Expectancy Models
        • Dilip Swaminathan, Harvey Thornburg, Todd Ingalls, Stjepan Rajko, Jodi James, Ellen Campana et al.
        Pages 34-55
      4. Musicians Outperform Nonmusicians in Speech Imitation
        • Barbara Pastuszek-Lipińska
        Pages 56-73
      5. Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music Composers
        • Barry Eaglestone, Nigel Ford, Peter Holdridge, Jenny Carter, Catherine Upton
        Pages 74-97
      6. The Usability of Music Theory Software: The Analysis of Twelve-Tone Music as a Case Study
        • Tuukka Ilomäki
        Pages 98-109
      7. Understanding Emotion in <i>Raag</i>: An Empirical Study of Listener Responses
        • Parag Chordia, Alex Rae
        Pages 110-124

    2. I-ii Relevant Features in Sounds and Music

      1. The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata
        • Gary S. Kendall, Mauricio Ardila
        Pages 125-138
      2. Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features
        • Adrien Merer, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki
        Pages 139-158
      3. Exploring Perceptual Based Timbre Feature for Singer Identification
        • Swe Zin Kalayar Khine, Tin Lay Nwe, Haizhou Li
        Pages 159-171
      4. Cognitive Implications of Musical Perception
        • Adam Lockhart
        Pages 172-180
      5. A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL
        • John Ashley Burgoyne, Stephen McAdams
        Pages 181-202
      6. Real-Time Analysis of Sensory Dissonance
        • John MacCallum, Aaron Einbond
        Pages 203-211

    3. I-iii Multimodal Perception and Interaction

      1. Multimodal Design for Enactive Toys
        • Amalia de Götzen, Laca Mion, Federico Avanzini, Stefania Serafin
        Pages 212-222
      2. Psychoacoustic Manipulation of the Sound-Induced Illusory Flash
        • Sonia Wilkie, Catherine Stevens, Roger Dean
        Pages 223-234
      3. On Cross-Modal Perception of Musical Tempo and the Speed of Human Movement
        • Kathleya Afanador, Ellen Campana, Todd Ingalls, Dilip Swaminathan, Harvey Thornburg, Jodi James et al.
        Pages 235-245
      4. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
        • Christopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby
        Pages 246-262

  3. Towards the Generation of Sense of Sounds

    1. II-i Rule-Based Music Retrieval and Generation

      1. Retrieving and Recreating Musical Form
        • Ole Kühl, Kristoffer Jensen
        Pages 263-275
      2. Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses
        • William D. Haines, Jesse R. Vernon, Roger B. Dannenberg, Peter F. Driessen
        Pages 276-287
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About this book

This book constitutes the thoroughly refereed post-conference proceedings of the 4th International Computer Music Modeling and Retrieval Symposium, CMMR 2007, held in Copenhagen, Denmark, in August 2007 jointly with the International Computer Music Conference 2007, ICMC 2007. The 33 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics in computer science and engineering areas such as information retrieval, programming, human computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. CMMR 2007 has put special focus on the Sense of Sounds from the synthesis and retrieval point of view. This theme is pluridisciplinary by nature and associates the fields of sound modeling by analysis, synthesis, perception and cognition.

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