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The Formation of Chinese Art Cinema

1990–2003

  • Li Yang

Table of contents

  1. Front Matter
    Pages i-xii
  2. Li Yang
    Pages 1-38
  3. Institutions

    1. Front Matter
      Pages 39-39
    2. Li Yang
      Pages 41-63
    3. Li Yang
      Pages 65-88
    4. Li Yang
      Pages 89-122
  4. Aesthetics

  5. Back Matter
    Pages 213-228

About this book

Introduction

The Formation of Chinese Art Cinema: 1990–2003 examines the development of Chinese art film in the People’s Republic of China from 1990, when the first Sixth Generation film Mama was released, to 2003, when authorities acknowledged the legitimacy of underground filmmakers. Through an exploration of the production and consecration mechanisms of the new art wave and its representative styles, this book argues that the art wave of the 1990s fundamentally defined Chinese art cinema. In particular, this vital art wave was not enabled by democratic liberalism, but by the specific industrial development, in which the film system transitioned from Socialist propaganda into a commercialized entity. Allowing Chinese art film to grow but at the same time denying its legitimacy, this paradoxical transition process shaped Chinese art film’s institutional and aesthetical alternative positioning, which eventually helped consolidate the art wave into art cinema. Ultimately, this book is a history of the Chinese portion of global art cinema, which also reveals the complex Chinese cultural experiences during the Reform Era.

Keywords

Chinese Art Cinema Sixth Generation Cinema New Neorealism New Generation Cinema Global Art Cinema

Authors and affiliations

  • Li Yang
    • 1
  1. 1.Department of Foreign Languages and LiteraturesLafayette CollegeEaston, PAUSA

Bibliographic information