Sounds, Societies, Significations

Numanistic Approaches to Music

  • Rima Povilionienė

Part of the Numanities - Arts and Humanities in Progress book series (NAHP, volume 2)

Table of contents

  1. Front Matter
    Pages i-xiv
  2. Musical Creation and Perception as a Socio-cultural Phenomena

  3. Establishing the Musical Identities. Cultural, Political and Social Perspectives

  4. Analytical and Interdisciplinary Approaches to the Musical Text

  5. Research into Popular Music

  6. A Survey of Musical Signification

    1. Front Matter
      Pages 227-227

About this book


This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. It focusses on repertoires and geographical areas that have not previously been well frequented in musicology. As readers will see, music has many roles to play in society. Music can be a generator of social phenomena, or a result of them; it can enhance or activate social actions, or simply co-habit with them. Above all, music has a stable position within society, in that it actively participates in it. Music can either describe or prescribe social aspects; musicians may have a certain position/role in society (e.g., the “popstar” as fashion leader, spokesman for political issues, etc.). Depending on the type of society, music may have a certain “meaning” or “function” (music does not mean the same thing everywhere in the world). Lastly, music can define a society, and it is not uncommon for it to best define a particular historical moment.

Case-studies in this work provide visibility for musical cultures that are rarely exposed in the dominant musicological discourse. Several contributions combine musicological analysis with "insider-musician" points of view. Some essays in the collection address the cultural clash between certain types of music/musicians and the respective institutional counterparts, while certain contributing authors draw on experimental research findings.

Throughout this book we see how musics are socially significant, and - at the same time - that societies are musically significant too. Thus the book will appeal to musicologists, cultural scholars and semioticians, amongst others.


Numanities Music Society Interdisciplinarity Cultural Context Politics Semiotics Italian Music Polish Music Lithuanian Music Romanian Music Finnish Music Musical perception Musical signification

Editors and affiliations

  • Rima Povilionienė
    • 1
  1. 1.International Semiotics InstituteKaunas University of TechnologyKaunasLithuania

Bibliographic information

  • DOI
  • Copyright Information Springer International Publishing AG 2017
  • Publisher Name Springer, Cham
  • eBook Packages Education Education (R0)
  • Print ISBN 978-3-319-47059-7
  • Online ISBN 978-3-319-47060-3
  • Series Print ISSN 2510-442X
  • Series Online ISSN 2510-4438
  • Buy this book on publisher's site