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The Truth about Fania Fénelon and the Women’s Orchestra of Auschwitz-Birkenau

  • Susan Eischeid

Table of contents

  1. Front Matter
    Pages i-xiii
  2. Susan Eischeid
    Pages 5-10
  3. Back Matter
    Pages 139-151

About this book

Introduction

This book explores how the women’s orchestra at Auschwitz-Birkenau has been remembered in both media and popular culture since the end of the Second World War. In particular it focuses on Fania Fenelon’s memoir, Playing for Time (1976), which was subsequently adapted into a film. Since then the publication has become a cornerstone of Holocaust remembrance and scholarship. Susan Eischeid therefore interrogates whether it deserves such status, and whether such material can ever be considered reliable source material for historians. Using divergent source material gathered by the author, such as interviews with the other surviving members of the orchestra, this Pivot seeks to shed light on this period of women’s history, and question how we remember the Holocaust today.

Keywords

Holocaust Second World War Women's history Music Concentration camp

Authors and affiliations

  • Susan Eischeid
    • 1
  1. 1.Department of MusicValdosta State UniversityValdostaUSA

Bibliographic information

  • DOI https://doi.org/10.1007/978-3-319-31038-1
  • Copyright Information The Editor(s) (if applicable) and The Author(s) 2016
  • Publisher Name Palgrave Macmillan, Cham
  • eBook Packages History
  • Print ISBN 978-3-319-31037-4
  • Online ISBN 978-3-319-31038-1
  • Buy this book on publisher's site