Writing mental ray® Shaders

1. Shape

   1. Front Matter

      Pages 245-245

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   2. Modifying surface geometry

      Pages 247-258

   3. Modifying surface orientation

      Pages 259-269

   4. Creating geometric objects

      Pages 271-288

   5. Modeling hair

      Pages 289-335

2. Space

   1. Front Matter

      Pages 337-337

      PDF

   2. The environment of the scene

      Pages 339-356

   3. A visible atmosphere

      Pages 357-367

   4. Volumetric effects

      Pages 369-395

3. Image

   1. Front Matter

      Pages 397-397

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   2. Changing the lens

      Pages 399-419

   3. Rendering image components

      Pages 421-438

   4. Modifying the final image

      Pages 439-454

4. Back Matter

   Pages 455-635

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The word "render" isn't unique to the vocabulary of computer graphics. We can talk about a "watercolor rendering," a "musical rendering" or a "poetic rendering." In each of these, there is a transformation from one domain to another: from the landscape before the painter to color on paper, from musical notation to sound, from the associations in a poet's mind to a book of poetry. Figure 1.1: Czar's Waiting Room, Main Railway Station, Helsinki, Eliel Saarinen, 1910, watercolor. But the type of rendering that may come closest to what we mean when we talk about rendering in computer graphics is in architecture. Geometric blueprints and technical specifications of building materials are transformed in the architectural rendering into a picture of the building 1 Introduction as it will appear when construction is complete. In addition to the designs of the building's geometry and its visual characteristics, the artist chooses a point of view to depict the scene in perspective. This is a transformation of a description of imagined space into a picture of that space. In a watercolor by architect Eliel Saarinen (Figure 1.1), the effect of light on marble is demonstrated in a way that would be lost in even a careful reading of blueprints and descriptions of materials. A mere brushstroke of a particular color in a particular place paradoxically transforms the dull matte appearance of watercolor into the sheen of polished stone.

• Performance
• computer graphics
• learning
• mental ray
• model
• reflection
• rendering
• shader programming
• software

• mental images GmbH, Berlin, Federal Republic of Germany

  Andy Kopra

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