© 2020
Crisis and Legitimacy in Atlantic American Narratives of Piracy
1678-1865
- 2 Mentions
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Part of the Maritime Literature and Culture book series (MILAC)
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© 2020
Part of the Maritime Literature and Culture book series (MILAC)
This Open Access book, Crisis and Legitimacy in Atlantic American Narratives of Piracy: 1678-1865, examines literary and visual representations of piracy beginning with A.O. Exquemelin’s 1678 Buccaneers of America and ending at the onset of the US-American Civil War. Examining both canonical and understudied texts—from Puritan sermons, James Fenimore Cooper’s The Red Rover, and Herman Melville’s “Benito Cereno” to the popular cross-dressing female pirate novelette Fanny Campbell, and satirical decorated Union envelopes, this book argues that piracy acted as a trope to negotiate ideas of legitimacy in the contexts of U.S. colonialism, nationalism, and expansionism. The readings demonstrate how pirates were invoked in transatlantic literary production at times when dominant conceptions of legitimacy, built upon categorizations of race, class, and gender, had come into crisis. As popular and mobile maritime outlaw figures, it is suggested, pirates asked questions about might and right at critical moments of Atlantic history.
“A highly successful book in its conceptual-theoretical analysis of the pirate as a figure of empire, as a prototype for different legalistic-political orders in the Americas, and as a foil for divergent discursive formations and shift. Deep read and methodologically well thought-out throughout.” (Udo Hebel, former Chair of the International Committee of the American Studies Association/ASA)
“The author breaks new ground by wresting hitherto little explored material from the archive. But above all, it is the comprehensive synopsis of various local scenarios and a consequent border-crossing perspective that render this study a masterpiece of remarkable originality. It contributes to freeing the figure of the pirate from the muck of romanticizing fictions, rethinking the pirate as a central ideological category and a sign of societal crisis. This is a great and superbly presented achievement.” (Gesa Mackenthun, author of Metaphors of Dispossession: American Beginnings and the Translation of Empire, 1492–1637 (1997) and Fictions of the Black Atlantic in American Foundational Literature (2004))