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Balzac Reframed

The Classical and Modern Faces of Éric Rohmer and Jacques Rivette

  • Zahra Tavassoli Zea
Book

Part of the Palgrave Studies in Adaptation and Visual Culture book series (PSADVC)

Table of contents

  1. Front Matter
    Pages i-xi
  2. Zahra Tavassoli Zea
    Pages 1-36
  3. Zahra Tavassoli Zea
    Pages 37-75
  4. Zahra Tavassoli Zea
    Pages 77-123
  5. Zahra Tavassoli Zea
    Pages 165-205
  6. Zahra Tavassoli Zea
    Pages 207-220
  7. Back Matter
    Pages 221-230

About this book

Introduction

This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, Éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the “politique des auteurs”), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the “conservative” versus “progressist” rupture that is generally assumed between the two directors, and offers an innovative reading of The Human Comedy in the light of post-war ideas on authorship, film adaptation, classicism and modernism.

Keywords

Balzac Rohmer Rivette French New Wave Cinema Aesthetic

Authors and affiliations

  • Zahra Tavassoli Zea
    • 1
  1. 1.Independent ResearcherLondonUK

Bibliographic information

  • DOI https://doi.org/10.1007/978-3-030-30615-1
  • Copyright Information The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2019
  • Publisher Name Palgrave Macmillan, Cham
  • eBook Packages Literature, Cultural and Media Studies
  • Print ISBN 978-3-030-30614-4
  • Online ISBN 978-3-030-30615-1
  • Buy this book on publisher's site