Heritage Wood

Investigation and Conservation of Art on Wood

  • Austin Nevin
  • Malgorzata Sawicki

Part of the Cultural Heritage Science book series (CUHESC)

Table of contents

  1. Front Matter
    Pages i-x
  2. Zarah Walsh-Korb, Emma-Rose Janeček, Mark Jones, Luc Averous, Oren A. Scherman
    Pages 65-77
  3. Václav Pitthard, Silvia Miklin-Kniefacz, Sabine Stanek, Martina Griesser
    Pages 79-92
  4. Lisa Ellis, Alexandra Suda, Ronald Martin, Elizabeth Moffatt, Jennifer Poulin, Heidi Sobol et al.
    Pages 93-108
  5. Petronella Kovács Mravik, Éva Galambos, Zsuzsanna Márton, Ivett Kisapáti, Julia Schultz, Attila Lajos Tóth et al.
    Pages 123-141

About this book


This volume highlights recent research efforts in the conservation and investigation of works of art on wood. Through eleven case studies it showcases different experimental methods ranging from X-ray analysis of objects to the study of cross-sections made from micro-samples. 

New research focusing on the technical study, treatment and assessment of works of art on wood in its many forms is featured in this edited volume. Technical studies include the attribution and investigations of a triptych by Hans Memling and a sculpture from workshop of Michel and Gregor Erhart, decorated Syrian rooms, and investigations of finely carved Gothic wooden objects. Synchrotron-based methods are presented for studying the alteration of 19th c. verdigris in Norway, and multi-analytical methods are employed for the investigations of 16th to 19th c. East Asian lacquer from the Kunsthistorisches Museum in Vienna. Novel methods for the cleaning of gilded surfaces using gels and emulsions are shown, as are innovative strategies for the consolidation for waterlogged wood, providing key data for the assessment of risks and benefits of new methods, and the short and long-term effects on gilding layers and archaeological wood. The book clearly shows how collaboration between engineers, physicists, biologists and chemists and conservators of different types of materials can lead to new research in conservation science. This book is crucial reading for conservators and conservation scientists, as well as for technical art historians, providing key methodological case studies of polychromy from different temporal and geographical contexts.


conservation and treatment of wood works of art on wood development of conservation materials methods for cleaning and consolidation of wood historical paintings ceiling decorations from Syrian rooms to finely carved objects conservation and treatment of waterlogged wood conservation and treatment of ecclesiastical objects wooden heritage conservation of wooden artefacts synchrotron-based analysis cleaning using gels and emulsions technical study of polychromy on wood

Editors and affiliations

  • Austin Nevin
    • 1
  • Malgorzata Sawicki
    • 2
  1. 1.Department of ConservationUniversity of GothenburgGothenburgSweden
  2. 2.Art Gallery of New South WalesSydneyAustralia

Bibliographic information