Crime Scenery in Postwar Film and Photography

  • HenrikĀ Gustafsson

Table of contents

  1. Front Matter
    Pages i-xv
  2. Henrik Gustafsson
    Pages 1-42
  3. Henrik Gustafsson
    Pages 43-87
  4. Henrik Gustafsson
    Pages 89-141
  5. Henrik Gustafsson
    Pages 143-181
  6. Henrik Gustafsson
    Pages 183-219
  7. Henrik Gustafsson
    Pages 221-265
  8. Back Matter
    Pages 267-285

About this book


This book offers a rare and innovative consideration of an enduring tendency in postwar art to explore places devoid of human agents in the wake of violent encounters. To see the scenery together with the crime elicits a double interrogation, not merely of a physical site but also of its formation as an aesthetic artefact, and ultimately of our own acts of looking and imagining. Closely engaging with a vast array of works made by artists, filmmakers and photographers, each who has forged a distinct vantage point on the aftermath of crime and conflict, the study selectively maps the afterlife of landscape in search of the political and ethical agency of the image. By way of a thoroughly interdisciplinary approach, Crime Scenery in Postwar Film and Photography brings landscape studies into close dialogue with contemporary theory by paying sustained attention to how the gesture of retracing past events facilitates new configurations of the present and future.


landscape memory aftermath late photography art Aby Warburg George Didi-Huberman Nicolas Poussin violence war filmmaking aesthetic political agency

Authors and affiliations

  • HenrikĀ Gustafsson
    • 1
  1. 1.The Arctic University of Norway TromsoNorway

Bibliographic information