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Music and the Environment in Dystopian Narrative

Sounding the Disaster

  • Heidi Hart

Part of the Palgrave Studies in Music and Literature book series (PASTMULI)

Table of contents

  1. Front Matter
    Pages i-xii
  2. Heidi Hart
    Pages 1-14
  3. Heidi Hart
    Pages 15-30
  4. Heidi Hart
    Pages 73-88
  5. Back Matter
    Pages 99-100

About this book

Introduction

Music and the Environment in Dystopian Narrative: Sounding the Disaster investigates the active role of music in film and fiction portraying climate crisis. From contemporary science fiction and environmental film to “Anthropocene opera,” the most arresting eco-narratives draw less on background music than on the power of sound to move fictional action and those who receive it. Beginning with a reflection on a Mozart recording on the 1970s’ Voyager Golden Record, this book explores links between music and violence in Lidia Yuknavitch’s 2017 novel The Book of Joan, songless speech in the opera Persephone in the Late Anthropocene, interrupted lyricism in the eco-documentary Expedition to the End of the World, and dread-inducing hurricane music in the Brecht-Weill opera Rise and Fall of the City of Mahagonny. In all of these works, music allows for a state of critical vulnerability in its hearers, communicating planetary crisis in an embodied way. 

Keywords

dystopian literature post-apocalyptic music studies sound studies anthropocene environmental literature environmental humanities musicology narrative

Authors and affiliations

  • Heidi Hart
    • 1
  1. 1.Utah State UniversityLogan, UTUSA

Bibliographic information

  • DOI https://doi.org/10.1007/978-3-030-01815-3
  • Copyright Information The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG, part of Springer Nature 2018
  • Publisher Name Palgrave Pivot, Cham
  • eBook Packages Literature, Cultural and Media Studies
  • Print ISBN 978-3-030-01814-6
  • Online ISBN 978-3-030-01815-3
  • Buy this book on publisher's site