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Vincent van Gogh: Chemicals, Crises and Creativity

  • Authors
  • Wilfred Niels Arnold

Table of contents

  1. Front Matter
    Pages 1-10
  2. Wilfred Niels Arnold
    Pages 11-20
  3. Wilfred Niels Arnold
    Pages 21-72
  4. Wilfred Niels Arnold
    Pages 73-99
  5. Wilfred Niels Arnold
    Pages 101-137
  6. Wilfred Niels Arnold
    Pages 139-164
  7. Wilfred Niels Arnold
    Pages 165-196
  8. Wilfred Niels Arnold
    Pages 197-217
  9. Wilfred Niels Arnold
    Pages 219-241
  10. Wilfred Niels Arnold
    Pages 243-256
  11. Wilfred Niels Arnold
    Pages 257-277
  12. Wilfred Niels Arnold
    Pages 279-304
  13. Wilfred Niels Arnold
    Pages 305-310
  14. Back Matter
    Pages 311-332

About this book

Introduction

As a five year old I encountered a picture of a young man in a rakish hat and a yellow coat, on the wall of a large classroom. There was something instantly intriguing about the image, but it was also puzzling because it represented neither politician nor prince, the usual fare for Australian school decorations. I was eventually told that this was a reproduction of a painting, the artist was Vincent van Gogh, and that the subject was some young Frenchman. On special days we assembled in that room and during the next several years I found myself gazing beyond visiting speakers at the fellow in the yellow jacket. It was almost another fifty years before I felt properly conversant with the portrait and realized that van Gogh's subject, Armand Roulin, was seventeen at the time ofthe original painting and had died at seventy-four during my schoolboy contemplations. In the interim my enjoyment of the works of the Impressionists and Post Impressionists had grown and I occasionally ran into the name of Dr. Gachet, Vincent's last attending physician, in books and catalog essays. The doctor was my entree to the overlapping charms of medical and art histories. In 1987 I had the good fortune to participate as a biochemist in the centenary celebration of the Pasteur Institut in Paris.

Keywords

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