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Modernism, 1910–1945

Image to Apocalypse

  • Authors
  • Jane Goldman

Part of the Transitions book series (TRANSs)

Table of contents

  1. Front Matter
    Pages i-xxiv
  2. Introduction: “Make It New”

    1. Jane Goldman
      Pages 1-30
  3. 1910: Image, Order, War

    1. Front Matter
      Pages 31-31
    2. Jane Goldman
      Pages 33-76
    3. Jane Goldman
      Pages 77-103
    4. Jane Goldman
      Pages 104-142
    5. Jane Goldman
      Pages 143-160
  4. Image, Gender, Apocalypse

    1. Front Matter
      Pages 161-161
    2. Jane Goldman
      Pages 163-198
    3. Jane Goldman
      Pages 199-208
  5. Apocalypse 1945

    1. Front Matter
      Pages 209-209
    2. Jane Goldman
      Pages 211-236
    3. Jane Goldman
      Pages 237-255
  6. Back Matter
    Pages 256-312

About this book

Introduction

This essential guide explores and celebrates the rise and development of modernist and avant-garde literatures and theories in the period 1910-1945, from Imagism to the Apocalypse movement. Jane Goldman charts transitions in writing, reading, performing and publishing practices, and in international groupings and regroupings of writers and artists, and interrogates the term 'Modernism' which labels the era. Goldman introduces students to the work of many canonical high modernist writers, such as Ezra Pound, T. S. Eliot, W. B. Yeats, James Joyce and Virginia Woolf, and samples the work of other important modernist figures, including Nathanael West, John Rodker, Aldous Huxley and the Harlem Renaissance poets.

Keywords

avant-garde bibliography cultural change formalism gender George Eliot knowledge literature Modernism publishing Renaissance tradition Virginia Woolf William James writing

Bibliographic information