About this book

Introduction

Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several examples shown. Various aspects of musical sound spectra such as spectral envelope, spectral centroid, spectral flux, and spectral irregularity are defined and discussed. One chapter is devoted to the control and synthesis of spectral envelopes. Two advanced methods of analysis/synthesis are given: "Sines Plus Transients Plus Noise" and "Spectrotemporal Reassignment" are covered. Methods for timbre morphing are given. The last two chapters discuss the perception of musical sounds based on discrimination and multidimensional scaling timbre models.

Keywords

Jim Beauchamp Phase Wave computer music digital audio music information retrieval music perception and cognition musical acoustics signal analysis

Editors and affiliations

  • James W. Beauchamp
    • 1
  1. 1.Professor Emeritus School of Music Department of Electrical and Computer EngineeringUniversity of Illinois at Urbana-ChampaignUrbanaUSA

Bibliographic information

  • DOI https://doi.org/10.1007/978-0-387-32576-7
  • Copyright Information Springer 2007
  • Publisher Name Springer, New York, NY
  • eBook Packages Physics and Astronomy
  • Print ISBN 978-0-387-32496-8
  • Online ISBN 978-0-387-32576-7
  • About this book