The article draws on 24 essays where university students in Sweden reflect on their affective reactions to the American film Precious: Based on the Novel Push by Sapphire (2009). The essays pay particular attention to how scenes of Black suffering and the body of the character Precious called forth feelings immediately as well as more enduringly, and how participants’ cultural situatedness directed the reactions and reflections. The article asks how seemingly unintentional, affective reactions intertwine with reflexive practices in film viewing and analysis, when both are understood as intercorporeal processes of subject formation. Especially intense moments of ‘feeling bad’ spurred the writers to dissect and question the need for ‘sameness’ or ‘difference’ between themselves and the bodies on-screen as incentives for engagement. Drawing on Black feminist thought and theorizations of affect, the article examines how ‘feeling bad’ can mobilize ethical subjectivities in encounters with racialized suffering and injustices.
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I will abbreviate the name of the film as Precious in the rest of this article, and refer to the film character Claireece ‘Precious’ Jones as Precious without italics.
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Thank you to the anonymous reviewers for their valuable feedback, Anu Koivunen and Ingrid Ryberg for support at Stockholm University, Susanna Paasonen and other Media Studies research seminar participants for encouragement and comments at the University of Turku, and the Academy of Finland for financial support.
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Kyrölä, K. Feeling bad and Precious (2009): black suffering, white guilt, and intercorporeal subjectivity. Subjectivity 10, 258–275 (2017). https://doi.org/10.1057/s41286-017-0029-7
- Black feminist thought
- Media ethnography