In the wake of European conquest, multi-racial societies draw on diverse cultural resources in order to conceive of resilient post-conquest identities. This essay builds on Emily Greenwood’s argument that Anglophone Caribbean literary ‘misquotations’ from classical Latin should be read as signs of W.E.B. DuBois’s ‘double consciousness.’ My essay elaborates on this idea for medieval studies by analyzing references to Chaucer in the Anglophone Caribbean. First, this study examines writers who invoke Chaucer in critical essays that address race and literature (Roger Mais, V.S. Naipaul, Edward Kamau Brathwaite). Second, the essay explores an allusion to the Canterbury Tales in Jean Rhys’s short story ‘Again the Antilles’ as a catalyst for a virtuoso creole performance. Finally, the study considers how more recent writers appropriate Chaucer to convey diasporic understandings of race and gender.
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This essay would not have been possible without Google and a host of other electronic archives, including subscription sources paid for by Dartmouth College. Abigail Macias provided timely research assistance: her work was funded by the Dartmouth Junior Research Scholar Program. Special thanks to my colleagues Reena Goldthree and Sam Vásquez for great conversation.
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Warren, M. ‘The last syllable of modernity’: Chaucer in the Caribbean. Postmedieval 6, 79–93 (2015). https://doi.org/10.1057/pmed.2015.4