Abstract
IN Sir Charles Eastlake's preface to his translation of Goethe's “Theory of Colours,” he took occasion to pronounce against the accepted theory of Newton (that white light consists of coloured lights compounded together), in the following sentences:—
Modern Chromatics, with Applications to Art and Industry.
By Ogden N. Rood. International Science Series. (London: C. Kegan Paul and Co., 1879.)
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THOMPSON, S. Modern Chromatics . Nature 21, 78–79 (1879). https://doi.org/10.1038/021078a0
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DOI: https://doi.org/10.1038/021078a0
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