Skip to main content
Log in

Quality in the Performing Arts: Aggregating and Rationalizing Expert Opinion

  • Published:
Journal of Cultural Economics Aims and scope Submit manuscript

Abstract

The article is concerned with the issue of quality in drama, opera, and ballet, respectively. Relying on data from an expert opinion survey and from the statistical yearbook on theatres in Germany, the problem is addressed to what extent quality is linked to certain economic variables. After appropriately aggregating the ordinal expert judgments while controlling for expert-specific standards it is shown that this link is considerably closer for ballet and opera than for drama. Furthermore, in all three art forms positive but decreasing marginal returns of artistic expenses in terms of quality prevail.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

References

  • Abbé-Decarroux, Francois (1994) “The Perception of Quality and the Demand for Services: Empirical Application to the Performing Arts”. Journal of Economic Behavior and Organization 23: 99-107.

    Google Scholar 

  • Conover, William J. (1971) Practical Nonparametric Statistics. J. Wiley & Sons, New York.

    Google Scholar 

  • DBV 1995/96, Theaterstatistik 1995/96, 31st issue, and the following three issues [statistical yearbook edited by Deutscher Bühnenverein (DBV)].

  • Jenkins, Stephen and Austin-Smith, David (1987) “Interdependent Decision-Making in Non-Profit Industries”. International Journal of Industrial Organization 5: 149-174.

    Google Scholar 

  • Krebs, Susanne and Pommerehne, Werner W. (1995) “Politico-Economic Interactions of German Public Performing Arts Institutions”. Journal of Cultural Economics 19: 17-32.

    Google Scholar 

  • Levy, Emanuel (1988) “Art Critics and Art Publics: A Study in the Sociology and Politics of Taste”. Empirical Studies of the Art 6: 127-148.

    Google Scholar 

  • Lévy-Garboua, Louis and Montmarquette, Claude (1996) “A Microeconometric Study of Theatre Demand”. Journal of Cultural Economics 20: 25-50.

    Google Scholar 

  • Mallows, Colin L. (1973) “Some Comments on Cp”. Technometrics 15: 661-675.

    Google Scholar 

  • Pindyck, Robert S. and Rubinfeld, Daniel L. (1991) Econometric Models and Economic Forecasts. McGraw-Hill, New York.

    Google Scholar 

  • Throsby, C. David (1990) “Perception of Quality in Demand for Theatre”. Journal of Cultural Economics 14: 65-82.

    Google Scholar 

  • Tobias, Stefan (2003) Kosteneffizientes Theater? Deutsche Bühnen im DEA-Vergleich (Cost-efficient performing arts? German theatres in a DEA comparison). Doctoral dissertation, University of Dortmund. Abstract and download at http://eldorado.uni-dortmund.de:8080/FB11/LS10/Forschung/2003/Tobias.

  • Urrutiaguer, Daniel (2002) “Quality Judgements and Demand for French Public Theatre”. Journal of Cultural Economics 22: 185-202.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

About this article

Cite this article

Tobias, S. Quality in the Performing Arts: Aggregating and Rationalizing Expert Opinion. Journal of Cultural Economics 28, 109–124 (2004). https://doi.org/10.1023/B:JCEC.0000019472.97483.8c

Download citation

  • Issue Date:

  • DOI: https://doi.org/10.1023/B:JCEC.0000019472.97483.8c

Navigation