REFERENCES
Burton, E.: 1997. 'Artificial Innocence: Interactions Between the Study of Children's Drawing and Artificial Intelligence', Leonardo 30(4), 301–309.
Chomsky, N.: 1965. Aspects of the Theory of Syntax. Cambridge, MA: MIT Press.
Clowes, M. B.: 1971. 'On Seeing Things', Artificial Intelligence 2(1), 79–116.
Dubery, F. and J. Willats: 1972. Drawing Systems. London: Studio Vista; New York: Van Nostrand Reinhold.
Dubery, F. and J. Willats: 1983. Perspective and Other Drawing Systems. London: The Herbert Press; New York: Van Nostrand Reinold.
Gibson, J. J.: 1978. 'The Ecological Approach to the Visual Perception of Pictures', Leonardo 11, 227–235.
Hildebrand, A.: 1945. The Problem of Form in Painting and Sculpture. (trans. M. Meyer and R. M. Ogden.) New York: G.E. Stechert.
Huffman, D. A.: 1971. 'Impossible Objects as Nonsense Sentences', in B. Meltzer and D. Mitchie (eds.), Machine Intelligence, Vol. 6, Edinburgh: Edinburgh University Press, pp. 295–323.
Kemp, M.: 1992. The Science of Art: Optical Themes in Western Art from Brunelleshi to Seurat. New Haven, CT: Yale University Press.
Klein, F.: 1939. Elementary Mathematics from an Advanced Standpoint (Geometry). London: Macmillan.
Koenderink, J. J.: 1990. Solid Shape. Cambridge, MA: MIT Press.
Koenderink, J. J.: 1998. 'Pictorial Relief', Philosophical Transactions of the Royal Society of London, A. 356, 1071–1086.
Koenderink, J. J., A. J. van Doorn and A. M. L. Kappers: 1992. 'Surface Perception in Pictures', Perception and Psychophysics 52, 487–496.
Koenderink, J.J., A. J. van Doorn and A. M. L. Kappers: 1994. 'On So-Called Paradoxical Monocular Stereoscopy', Perception 23, 583–594.
Marr, D.: 1978. 'Representing Visual Information: A Computational Approach', in A. R. Hanson and E. M. Riseman (eds), Computer Vision, New York: Academic Press, pp. 61–80.
Marr, D.: 1982. Vision: A Computational Investigation into the Human Representation and Processing of Visual Information. San Francisco: W.H. Freeman.
Palmer, S. E.: 1999. Vision Science: Photons to Phenomenology. Cambridge, MA: MIT Press.
Spencer, J. R.: 1966. Leon Battista Alberti on Painting. New Haven, CT: Yale University Press.
Willats, J.: 1981. 'Formal Structures in Drawing and Painting', PhD thesis, Council for National Academic Awards.
Willats, J.: 1985. 'Drawing Systems Revisited: The Role of Denotation Systems in Children's Figure Drawings', in N. H. Freeman and M. V. Cox (eds.), Visual Order: The Nature and Development of Pictorial Representation, Cambridge: Cambridge University Press, pp. 78–100.
Willats, J.: 1990. 'The Draughtsman's Contract: How an Artist Creates an Image', in H. Barlow, C. Blakemore and M. Weston-Smith (eds.), Images and Understanding, Cambridge: Cambridge University Press, pp. 235–254.
Willats, J.: 1995. 'An Information-Processing Approach to Drawing Development', in C. Lange-Küttner and G. V. Thomas (eds.), Drawing and Looking, Hemel Hempstead, Herts.: Harvester Wheatsheaf, pp. 27–43.
Willats, J.: 1997. Art and Representation: New Principles in the Analysis of Pictures. Princeton: Princeton University Press.
Willats, J.: (in press a). 'The Rules of Representation', in P. Smith and C. Wilde (eds.), A Companion to Art Theory. Oxford: Blackwell.
Willats, J.: (in press b). 'Optical Laws or Symbolic Rules? The Dual Nature of Pictorial Systems', in H. Hecht, B. Swartz and M. Atherton (eds.), Reconceiving Pictorial Space. Cambridge, MA: MIT Press.
Wiltshire, S.: 1987. Drawings. London: J.M. Dent.
Rights and permissions
About this article
Cite this article
Willats, J. The Third Domain: the Role of Pictorial Images in Picture Perception and Production. Axiomathes 13, 1–15 (2002). https://doi.org/10.1023/A:1016547621681
Issue Date:
DOI: https://doi.org/10.1023/A:1016547621681