Skip to main content
Log in

"Chut!" Du discours non rapporté dans les romans de Henry Fielding

  • Published:
Neophilologus Aims and scope Submit manuscript

Abstract

This paper introduces a new type of reported discourse, the paraliptic summary (résumé paraliptique), where the narrator explicitly refuses to repeat what the character has said. The paraliptic summary is a subtype of what Leech and Short (1981) call a narrative report of a speech act and Genette (1972) terms discours narrativisé, and it seems to be related to the rhetorical figure paralipsis (occultatio, occupatio etc.). The paper studies Henry Fielding's use of the paraliptic summary in his novels Joseph Andrews, Tom Jones and Amelia. After a brief terminological introduction, the article discusses the various related rhetorical devices, the possible models that Fielding may have had for this device (the classics, Shakespeare, Marivaux), and finally analyzes 26 examples from Fielding.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

Références

  • Demetrios. Du style. Texte établi et traduit par Pierre Chiron. Paris: Les Belles Lettres, 1993.

    Google Scholar 

  • Dupriez, Bernard. A Dictionary of Literary Devices. Translated and adapted by Albert W. Halsall. New York/London etc.: Harvester Wheatsheaf, 1991.

    Google Scholar 

  • Encyclopédie. Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers par une société de gens de lettres. Neufchastel: Samuel Faulche & Compagnie, 1765. Parties 11 et 13.

  • Fielding, Henry. JA = 1967 [1742] Joseph Andrews. Edited by Martin C. Battestin. (The Wesleyan Edition of the Works of Henry Fielding). Middletown, Conneticut: Wesleyan University Press. TJ = 1975. [1749] The History of Tom Jones: A Foundling. Edited by Fredson Bowers. (The Wesleyan Edition of the Works of Henry Fielding) Oxford: Wesleyan University Press. A = 1983. [1752] Amelia. Edited by Martin C. Battestin. (The Wesleyan Edition of the Works of Henry Fielding). Oxford: Clarendon Press, 1980. The History of the Adventures of Joseph Andrews and of His Friend Mr. Abraham Adams and an Apology for the Life of Mrs. Shamela Andrews. Edited by Douglas Brooks-Davies. Oxford etc.: Oxford University Press.

  • Folkenflik, Robert. <Purpose and Narration in Fielding's Amelia.> Novel 7:2 (1974), 168–174.

    Google Scholar 

  • Fontanier, Pierre. Les Figures du Discours. Paris: Flammarion, 1968 [1821–1830].

    Google Scholar 

  • Genette, Gérard. Figures III. Paris: Éditions du Seuil, 1972.

    Google Scholar 

  • Goldberg, Homer. The Art of Joseph Andrews. Chicago/London: The University of Chicago Press, 1969.

    Google Scholar 

  • Hartwig, Robert. J. <Pharsamon and Joseph Andrews.> Texas Studies in Literature and Language 14:1 (1972), 45–52.

    Google Scholar 

  • Hudson, Hoyt H. in Hoskins, John, Directions for Speech and Style [ca. 1599]. Princeton: Princeton University Press, 1935, pp. 53–101.

    Google Scholar 

  • Kelly, H. A. 1977. “Occupatio as Negative Narration: A Mistake for Occultatio/ Praeteritio.” Modern Philology 74 (1977), 311–315.

    Google Scholar 

  • Leech, Geoffrey N. & Short, Michael H. Style in Fiction. A Linguistic Introduction to English Fictional Prose. London/New York: Longman, 1981.

    Google Scholar 

  • Lips, Marguerite. Le style indirect libre. Paris: Payot, 1926.

    Google Scholar 

  • Marivaux, P. C. C. Le Paysan parvenu, ou les memoires de M***. Amsterdam: Aux dépens de la Compagnie, 1935. La Vie de Marianne, ou les avantures de Madame La comtesse de ***. La Haye: Jean Neaulme, 1736. Pharsamon, ou les nouvelles folies romanesques. La Haye: Aux dépens de la Compagnie, 1737.

  • Marnette, Sophie. Narrateur et points de vue dans la littérature française médiévale: une approche linguistique. Bern: Peter Lang, 1998.

    Google Scholar 

  • McClish, Glen. <Henry Fielding, the Novel, and Classical Legal Rhetoric.> Rhetorica 14:4 (1996), 413–440.

    Google Scholar 

  • McHale, Brian. <Free Indirect Discourse: A Survey of Recent Accounts.> Poetics and Theory of Literature 3 (1978), 249–287.

    Google Scholar 

  • Miller, Henry Knight. <Some Functions of Rhetoric in Tom Jones.> Philological Quarterly 45:1 (1966), 209–235.

    Google Scholar 

  • Palmer, Eustace. <Amelia-The Decline of Fielding's Art.> Essays in Criticism 21:2 (1971), 135–151

    Google Scholar 

  • Perl, Jeffrey. <Anagogic Surfaces: How to Read Joseph Andrews?> The Eighteenth Century 22:3 (1981), 249–270.

    Google Scholar 

  • Perret, Michèle. <Le discours rapporté dans Le Bel Inconnu.> L'information grammaticale 72 (1997), 13–17.

    Google Scholar 

  • Quintilien. Institution oratoire 5 [VIII et IX]. Texte établi et traduit par Jean Cousin. Paris: Les Belles Lettres, 1978.

    Google Scholar 

  • RH. Rhétorique à Herennius. Texte établi et traduit par Guy Achard. Paris: Les Belles Lettres, 1999.

  • Rosier, Laurence. Le discours rapporté. Histoire, théories, pratiques. Paris/Bruxelles: Duculot, 1999.

    Google Scholar 

  • Thompson, Geoff. <Voices in the Text: Discourse Perspectives on Language Reports.> Applied Linguistics 17:4 (1996), 501–530.

    Google Scholar 

  • Vickers, Brian. The Artistry of Shakespeare's Prose. London: Methuen & Co Ltd., 1968. In Defence of Rhetoric. Oxford: Clarendon Press, 1988.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

About this article

Cite this article

Taivalkoski-Shilov, K. "Chut!" Du discours non rapporté dans les romans de Henry Fielding. Neophilologus 86, 337–352 (2002). https://doi.org/10.1023/A:1015618319343

Download citation

  • Issue Date:

  • DOI: https://doi.org/10.1023/A:1015618319343

Keywords

Navigation